Some time ago I stopped understanding how to use the Deli.cio.us cron; I’ve consequently relaxed in culling roundups of games-related writing I like. This, I think, is bad. I wonder how much terrific writing is slipping past me.
So I am back with an all new, not-automated Linksplosion.
By the way. It’s Death Week at Unwinnable, and I am very proud of its EIC, Stu Horvath. His piece, “On Death and Gaming,” was reprinted today at Kotaku.
The column stands on its own, but the explosion of reminiscence and reflection in the comments really underscores what cathartic, nourishing work Horvath has done.
There is a style of good experiential writing, and maybe it takes a certain type of experience, then, to know it when you see it. When people know it, though, they are on the same page. They gush. Check the comments. (Also, see the story’s second half. Also, there is newly a third act, which is the most fascinating of all of them, to me, except it waits until its very last paragraphs to even acknowledge video games. I think this is fine.)
The allure of “retro gaming” could well have a great deal to do with memory, with remembering where you were and what you were doing when you felt this one thing. I could make so much more fuss over why video games and death and loss and loneliness are all so connected, but I will stay simple, recommend that you read Stu’s articles, and encourage you to think about how video games connect to your own sense of grief and loss. Because it’s there, it’s there, even if you haven’t connected all these intermingling narratives yet.
I am also into emergent gaming and, uh, agoraphobia.
This is why I really appreciate writer Shaun Gannon’s piece “Professional Gamer.” Gannon has been experimenting with some different types of writing, and this one is maybe like a poem about fearfulness. I bet you’ll like it.
I shouldn’t try to explain anything else, and anyway, you people are not dense.
The website Critical Distance recently invited games writers to discuss “being other.”
Kotaku Australia editor Mark Serrels was up for the challenge, and his “Meeting My Daughter for the First Time (In the Sims)” really struck me.
I am scared of babies, but I am getting to the age where I ought to reconsider my worry, too. But there is a bigger thought, here—about avatars, about artifice, simulacra, that movie Synecdoche, NY—that also occurred to me. I like thinking about how we do and do not resemble our own avatars, about how self-perception is so skewed. But Serrels’ essay goes a step further.
I have heard of people using video game sports simulations to play “future games” and estimate sports brackets, as if sports video games could be accurate ecosystems anyway.
But suppose you were able to use a game to simulate your future son or daughter? Suppose you were secretly and grimly terrified about seeing the outcome? Suppose you played The Sims and discovered your own sense of relief? I am all for existentialism and all its blues, but this was a surprisingly pleasant column.